Aerial imagery has become an essential tool for expanding the perspective of audiovisual storytelling, and in my case, it has been a natural extension of the way I tell stories. With over five years of experience as a drone pilot, I have had the opportunity to fly in a wide range of environments — from the breathtaking glacial landscapes of Iceland to the crystal-clear waters of the Maldives. I have also flown across numerous cities in Spain, including complex urban environments such as Madrid and Barcelona.
Each flight represents a technical challenge, but also an opportunity to capture emotion from a new perspective, revealing the scale of landscapes, the texture of places, and the energy of people. I have always sought to integrate aerial filming into action sequences in a way that feels seamless — as just another camera, another point of view that helps support the demands of each audiovisual narrative.
Having a drone as part of a production not only adds an aesthetic and visual dimension, but also makes it possible to tell stories from a distance — to convey what sometimes cannot be expressed from the ground: vastness, solitude, or the beauty of a fleeting moment.